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Noir City Confidential (2004) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Cult Movies (1999) / The Phantom of the Opera (1925) / Writing the Photoplay / The French New Wave / Shock Cinema (1998) / His Girl Friday (1940) / The Cinema: Its Present Position and Future Possibilities / Silent Cinema & the Avant-Garde / Video Eyeball (1998) / El último hombre sobre la Tierra (1964) /
Noir City Confidential (2004) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Cult Movies (1999) / The Phantom of the Opera (1925) / Writing the Photoplay / The French New Wave / Shock Cinema (1998) / His Girl Friday (1940) / The Cinema: Its Present Position and Future Possibilities / Silent Cinema & the Avant-Garde / Video Eyeball (1998) / El último hombre sobre la Tierra (1964) /
Cine Archive
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Jerry Fielding
Born
17 June 1922
Died
17 February 1980
Place
Pittsburgh, Pennsylvania, USA
Sound

Jerry Fielding

A three-time Oscar nominee, Jerry Fielding was among the boldest and most experimental of all Hollywood film composers. His music typically utilized advanced compositional procedures, producing dense, often richly dissonant orchestral textures, sometimes flavored with jazz. Fielding's film music career was marked by enduring and rewarding collaborations with Sam Peckinpah, Michael Winner and Clint Eastwood.

As actor

The Wild Bunch: An Album in Montage

1996 · Self