- Born
- Place
Robert Fischer
As director
Good Times: Dominik Graf on Directing the Cat
Jenseits von Gut und Böse: Christoph Fromm über 'Die Katze'
Alles auf eine Karte: Georg Feil über 'Die Katze'
Cinema Redefined: Jacques Rivette's L'Amour Fou Revisited
Jack Arnold Remembers The Incredible Shrinking Man
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Core of Reality: Robert Blees on Douglas Sirk’s Magnificent Obsession
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Film Beyond Cinema: The Dumpster Kid Experiment and Other Utopias
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Life As It Is: Miloš Forman on Miloš Forman
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
The Beast Inside: Creating 'Wolf'
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Traveling Roadshow
The Mysteries of Paris: Jacques Rivette's Out 1 Revisited
Outer Movement, Inner Movement
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
The Poet and the Filmmaker: Volker Schlöndorff on Baal
Love Letters
Return to Beethoven Street: Sam Fuller in Germany
Touching Death: Alejandro Amenábar on 'Tesis'
