What’s new
Jump Cut (2021) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Jump Cut (2018) / Nosferatu (1922) / A Million and One Nights: A History of the Motion Picture / The French New Wave / Jump Cut (2014) / His Girl Friday (1940) / Writing the Photoplay / Silent Cinema & the Avant-Garde / Jump Cut (2012) / The Little Shop of Horrors (1960) /
Jump Cut (2021) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Jump Cut (2018) / Nosferatu (1922) / A Million and One Nights: A History of the Motion Picture / The French New Wave / Jump Cut (2014) / His Girl Friday (1940) / Writing the Photoplay / Silent Cinema & the Avant-Garde / Jump Cut (2012) / The Little Shop of Horrors (1960) /
Cine Archive
← Back to filmography
Dima Barch
Born
13 May 1998
Place
Krasnogorsk, Moscow Oblast, Russia
Directing

Dima Barch

Dima Barch is a Russian-born fleeing filmmaker known for his bold and distinctive approach to horror and genre storytelling. His work explores themes of transformation, existential dread, and the limits of human control, blending surreal imagery with deeply personal narratives. His short films, Dead End and The Power of the Strike, have garnered attention for their unique visual style and thought-provoking themes, already solidifying his place as an emerging voice in contemporary genre cinema.

As director

The Power of the Strike

The Power of the Strike

2023 · Director
Dead End

Dead End

2022 · Director

Absence

Director

As actor

The Power of the Strike

The Power of the Strike

2023 · Policeman 2