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Variety (1964) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Variety (1948) / The Mark of Zorro (1920) / A Million and One Nights: A History of the Motion Picture / The French New Wave / Screenland (1947) / The Lost World (1925) / Writing the Photoplay / Silent Cinema & the Avant-Garde / Cine-Mundial (1946) / He Walked by Night (1948) /
Variety (1964) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Variety (1948) / The Mark of Zorro (1920) / A Million and One Nights: A History of the Motion Picture / The French New Wave / Screenland (1947) / The Lost World (1925) / Writing the Photoplay / Silent Cinema & the Avant-Garde / Cine-Mundial (1946) / He Walked by Night (1948) /
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Julius Jaenzon
Born
8 July 1885
Died
17 February 1961
Place
Göteborg, Göteborg- och Bohus län, Sweden
Camera

Julius Jaenzon

Julius Jaenzon (8 July 1885 – 17 February 1961) was a Swedish cinematographer, essential in the early Swedish silent cinema. He is most known for his collaborations with directors Victor Sjöström and Mauritz Stiller, particularly in adaptions of novels by Selma Lagerlöf. Especially the accuracy with which he mastered the double exposure, for example in The Phantom Carriage, was much admired at the time.

As director

Ulla, My Ulla

1930 · Director
The Dream Waltz

The Dream Waltz

1929 · Director

Stockholm in Colors

1927 · Director
Pictures from London

Pictures from London

1922 · Director

August Strindberg's Burial

1912 · Director

Society’s Verdict

1912 · Director

The Dangers in a Fisherman’s Life

1907 · Director

As actor

Med Ingrid Bergman på Berns

1953
The Wings

The Wings

1916 · Cameraman

The Adventures of Two Swedish Emigrants in America

1912