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Variety (1964) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Variety (1948) / The Mark of Zorro (1920) / A Million and One Nights: A History of the Motion Picture / The French New Wave / Screenland (1947) / The Lost World (1925) / Writing the Photoplay / Silent Cinema & the Avant-Garde / Cine-Mundial (1946) / He Walked by Night (1948) /

Variety (1964) / A Trip to the Moon (1902) / The Art of the Moving Picture / Peaks of Japanese Cinema / Variety (1948) / The Mark of Zorro (1920) / A Million and One Nights: A History of the Motion Picture / The French New Wave / Screenland (1947) / The Lost World (1925) / Writing the Photoplay / Silent Cinema & the Avant-Garde / Cine-Mundial (1946) / He Walked by Night (1948) /

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Directing

Agradoot

Agradoot was a group of film technicians signing collectively as director, a phenomenon unique to Bengali cinema. The Agradoot core unit, formed in 1946, consisted initially of Bibhuti Laha (cameraman, 1915–1997), Jatin Datta (sound), Sailen Ghosal (lab work), Nitai Bhattacharya (scenarist) and Bimal Ghosh (production). The group was active up to the end of 1980s.

As director