Marylène Negro
Marylène Negro’s works often bring about a face to face, either two solitudes or two creatures so totally different that nothing but their physical position can point to a relation between them. More often, what one sees is a sound or visual representation that the film contemplates, not to understand it but to represent it from its limitlessness, until it provokes a sweet vertigo. For Marylène Negro, the image represents an area of intercession that defuses the potential violence of a meeting, keeping only the qualities of attention, vigor and benevolence, prerequisites to a possible exchange. The image enables apprehension without prehension. (Nicole Brenez)
As director
Le Tableau
Grand Incendie
Hot Heat
Moi, Isabelle Huppert
Post
L'Enfance qui nous revient a l'éclat d'une étoile
Faites des gosses
Pass
Ganga
Stone
Rénovation
Le Client
KeraMilnadu
Hand-pick
Noyale
Limenland
Koma
You I Tourneur
Matteo
Highlands
Majeur et vacciné
Daymondes
Slettabol
Dark Continent
Bonne aventure
Eclisse
X+
Moss
Vénus
Répons