- Born
- Died
- Place
Akio Jissoji
Akio Jissoji was a Japanese television and film director best known outside Japan for the 1960s TV series Ultraman and Ultra Seven, as well as for his auteur erotic ATG-produced Buddhist trilogy Mujō (無常), Mandala (曼陀羅), and Uta (哥). He was also known for his film adaptations of Japanese horror author Rampo Edogawa. Jissoji possessed a very distinctive visual style that was notable even in Japanese cinema which is known internationally for its visual style. Every project he directed, from children's action shows to the most disturbing adult films had an uncompromising approach to cinematic story telling. His episodes of the Ultraman TV shows are unique and quite unusual for children's television. His career is also unusual in that he went back and forth from children's television to film projects that were sexually provocative in some way or another. It is perhaps this aspect of his work that has prevented wider distribution of his films. Sadomasochistic and non-consensual sexual practices are featured in many of his film works with women receiving the brunt of the abuse. Another recurring theme was to pull the camera back and reveal the set his actors were working on.
As director
Ten Nights of Dreams
Silver Mask
Rampo Noir
Summer of Ubume
Arthouse Ultraman
Murder on D Street
A Watcher in the Attic
Mizuki Mari: Honban rankô
Akio Jissoji's Wonder Museum 1
Akio Jissoji's Museum of Wonders - Volume of the Unknown
Akio Jissoji's Museum of Wonders - Volume of Discourse
Dialogue
La Valse
Ultra Q The Movie: Legend of the Stars
Arietta
Tokyo: The Last Megalopolis
Marquis de Sade’s Prosperities of Vice
The Rapeman: Nerawareta Onna-tachi
Blue Lake Girl
Tokyo Illusion
Longing for Spring
Lanterns on Blue Waters
Twenty-Four Eyes
Akio Jissoji's Ultraman
Utamaro's World
It Was a Faint Dream
Poem
Mandala
This Transient Life
When Twilight Draws Near