()
P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.
6.2
Where to watch
Similar films
Embrace the Panda: Making Turning Red
Very Nice, Very Nice
Joker: Put on a Happy Face
Being James Bond
Voyage of Time: The IMAX Experience
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty
Seduced and Abandoned
Extremis
Interstellar: Nolan's Odyssey
Harry Dean Stanton: Partly Fiction
They'll Love Me When I'm Dead
One Soldier's Story: The Journey of American Sniper