- Nacimiento
- Lugar
Robert Fischer
Como dirección
Good Times: Dominik Graf on Directing the Cat
Jenseits von Gut und Böse: Christoph Fromm über 'Die Katze'
Alles auf eine Karte: Georg Feil über 'Die Katze'
Le Cinéma en jeu: L'Amour fou de Jacques Rivette revisité
Jack Arnold Remembers The Incredible Shrinking Man
Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand
The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter
Core of Reality: Robert Blees on Douglas Sirk’s Magnificent Obsession
Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz
Painting with Light: Nicholas von Sternberg on Josef von Sternberg
Der Film verlässt das Kino: Vom Kübelkind-Experiment und anderen Utopien
Crazy Love: Janet Bergstrom on Josef von Sternberg's 'Morocco'
Life As It Is: Miloš Forman on Miloš Forman
A Search For Truth: Robert C. Jones On Hal Ashby’s 'The Last Detail'
Program Notes: An Introduction To The Last Detail By Alexander Payne
Sucker Punch Blues: A Look Back on John Huston's 'Fat City'
G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak
G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak
The Beast Inside: Creating 'Wolf'
About a Trip: Alexander Payne on Hal Ashby's 'The Last Detail'
Cop Stories: The Making of Richard Fleischer’s ‘The New Centurions’
Pure Cinema: Joe Napolitano on Brian De Palma's Body Double
Traveling Roadshow
Les Mystères de Paris : "Out 1" de Jacques Rivette revisité
Outer Movement, Inner Movement
Last of the Independents: Don Siegel and the Making of 'Charley Varrick'
Le Poête et le Cinéaste: Volker Schlöndorff à propos de 'Baal'
Love Letters
Return to Beethoven Street: Sam Fuller in Germany
Touching Death: Alejandro Amenábar on 'Tesis'
