- Jaiotza
- Heriotza
- Lekua
Paul Sharits
Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
Zuzendari gisa
Fluxfilm Anthology 1962-1970
Rapture
Figment I: Fluxglam Voyage in Search of the Real Maciunas
Brancusi's Sculpture Garden at Tirgu Jiu
Bad Burns
3rd Degree
Sketches in Hawaii
Passare I (Italia)
Episodic Generation
Declarative Mode
Tails
Epileptic Seizure Comparison
Dream Displacement
Tirgu Jiu
Analytical Studies IV: Blank Color Frames
Shutter Interface
3D Movie
Apparent Motion
Color Sound Frames
Analytical Studies III - Color Frame Passages
Vertical Contiguity
The Forgetting of Impressions and Intentions
Synchronousoundtracks
Axiomatic Granularity
Sound Strip/Film Strip
S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED
Inferential Current
Analytical Studies I: The Film Frame
Analytical Studies II: Unframed Lines
Element Studies: Earth/Water/Sky/Fire
Aktore gisa
Paul Sharits
Funtime at the Vasulkas
Birth of a Nation
Rapture
Home Movies 1971-81
Cinématon XIII
Cinématon n°120 : Paul Sharits
Cinématon
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
Paul Sharits Interview with Gerard O'Grady