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福田純
Jun Fukuda was a Japanese film director, screenwriter and producer. Fukuda joined Toho in 1946 and ventured into the realm of assistant director, being taken under the wing by directors like Hiroshi Inagaki. By 1959, Fukuda began a career as a full-fledged director, his early work slanted more toward mystery, but then expand into more comedic work by the mid-1960s, such as the spy spoof Iron Finger (1965). He also wrote the screenplay for the unproduced The Invisible Man vs. the Human Torch. Fukuda would eventually be tasked to direct a Godzilla movie, Ebirah, Horror of the Deep (1966). Fukuda would go on to direct various entries in Toho's popular Young Guy series and Konto 55, however he would be best known for his Godzilla work, becoming the "go to" director for special effects productions after Ishirō Honda. Fukuda famously harbored a harsh view of his work in the Godzilla series saying, "The monsters became the stars, and the human characters were put into the background." and "I give all of my Godzilla films a minus score." Despite the distain he felt towards his work, he was pleasantly surprised to find fans who enjoyed his film and who sent him well wishing cards near the end of his life.
Como dirección
Attack of the Galactic Monsters
Galaxias año 2000
Godzilla contra Ciber Godzilla, máquina de destrucción
La guerra de los poderes ocultos
喜劇 だましの仁義
Gorgo y Superman se citan en Tokio
Galien, el monstruo de las galaxias ataca la Tierra
3000キロの罠
西のペテン師 東のサギ師
野獣都市
ソレが男の生きる道
大日本スリ集団
コント55号 宇宙大冒険
コント55号 人類の大弱点
コント55号 俺は忍者の孫の孫
ニュージーランドの若大将
フレッシュマン若大将
100発100中 黄金の眼
El hijo de Godzilla
Los monstruos del mar
怒涛一万浬
暗黒街全滅作戦
100発100中
香港の白い薔薇
国際秘密警察 虎の牙
血とダイヤモンド
ハワイの若大将
のら犬作戦
にっぽん実話時代
女性自身