- Nacimiento
- Fallecimiento
- Lugar
Raffaello Matarazzo
Largely misunderstood, at best considered a little master of an Italian cinema in full revival after the war thanks to neo-realism, Raffaello Matarazzo is nevertheless the author of some sumptuous melodramas whose success was spectacular in post-fascist Italy. Matarazzo started writing film reviews for the Roman newspaper Il Tevere before re-editing scripts for the Italian film company Cines. His first films were comedies until he shifted to making melodramas. With Catene, produced by Titanus in 1949, he became the most successful director in Italy. Audience loved his melodramas. Critics, however, have tended to disparage his work, saying that Matarazzo films were Neorealismo d'appendice. Since the 1970s, some film critics have tried to restore Matarazzo's reputation. French magazine Positif loved his erotic-historical peplum The Ship of Lost Women.
Como dirección
Amor mío
I terribili sette
Adultero lui, adultera lei
Cerasella
Café de puerto
La última violencia
La risaia
El ángel blanco
L'intrusa
Vuelve a mi vida
Esclava del pecado
Guai ai vinti
La nave delle donne maledette
Giuseppe Verdi
Odio, amor y castigo
Chi è senza peccato....
Il tenente Giorgio
Los hijos de nadie
Tormento
Paolo e Francesca
Dora la espía
Cadenas invisibles
La fumeria d’oppio
Lo sciopero dei milioni
Empezó en boda
Il birichino di papà
Giorno di nozze
L'avventuriera del piano di sopra
Notte di fortuna
Trappola d'amore
