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佐藤寿保
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
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Como intérprete
Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
Lost in the Bedroom: An interview with Kyôko Nakamura
I'm Being Watched: An Interview with Hisayasu Sato
Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
Revenge in S&M: An Interview with Hisayasu Sato
Escape 3: An Interview with Hisayasu Sato
Lord, Have Mercy: An Interview With Hisayasu Sato
秋の理由
Japanscope, panorama de la nouvelle Nouvelle Vague
クロス・ザ・レンズ
シャボン玉エレジー
アイ・スタンド・アローン SEX & LOVE
痴漢電車 いやらしい行為
ハッテンバ・ラブ・ストーリー
痴漢電車 後ろで発車
痴漢電車終点までいかせて
桃色身体検査
若妻密室暴行事件
絶倫ギャル やる気ムンムン
ふるさとポルノ娘18!種つけ祭り
女囚残酷私刑
宅配妻 濡らしてまって!
泣き縄 黒髪無残
若妻暴行変質魔
In The Sea of Trees