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Jonas Mekas
Jonas Mekas (24-12-1922 - 23-1-2019) was born in the farming village of Semeniškiai, Lithuania. In 1944, he and his brother Adolfas were taken by the Nazis to a forced labor camp in Elmshorn, Germany. After the War he studied philosophy at the University of Mainz. At the end of 1949 the UN Refugee Organization brought both brothers to New York City, where they settled down in Williamsburg, Brooklyn.
Two months after his arrival in New York he borrowed money to buy his first Bolex camera and began to record brief moments of his life. He soon got deeply involved in the American Avant-Garde film movement. In 1954, together with his brother, he started Film Culture magazine, which soon became the most important film publication in the US. In 1958 he began his legendary Movie Journal column in the Village Voice. In 1962 he founded the Film-Makers' Cooperative, and in 1964 the Film-Makers' Cinematheque, which eventually grew into Anthology Film Archives, one of the world's largest and most important repositories of avant-garde cinema, and a screening venue.
During all this time he continued writing poetry and making films. To this date he has published more than 20 books of prose and poetry, which have been translated into over a dozen languages. His Lithuanian poetry is now part of Lithuanian classic literature and his films can be found in leading museums around the world. He is largely credited for developing the diaristic forms of cinema. Mekas has also been active as an academic, teaching at the New School for Social Research, the International Center for Photography, Cooper Union, New York University, and MIT.
Mekas' film The Brig was awarded the Grand Prize at the Venice Film Festival in 1963. Other films include Walden (1969), Reminiscences of a Journey to Lithuania (1972), Lost Lost Lost (1975), Scenes from the Life of Andy Warhol (1990), Scenes from the Life of George Maciunas (1992), As I was Moving Ahead I saw Brief Glimpses of Beauty (2000), Letter from Greenpoint (2005), Sleepless Nights Stories (2011) and Out-takes from the Life of a Happy Man. In 2007, he completed a series of 365 short films released on the internet -- one film every day -- and since then has continued to share new work on his website.
Since 2000, Mekas has expanded his work into the area of film installations, exhibiting at the Serpentine Gallery, the Centre Pompidou, Musée d'Art moderne de la Ville de Paris, the Moderna Museet (Stockholm), PS1 Contemporary Art Center MoMA, Documenta of Kassel, the Museum Ludwig in Cologne, the State Hermitage Museum in St. Petersburg, and the Venice Biennale.
Como dirección
Tapes
Requiem
I Don't Know Which Tree It Comes From that Fragrance
From the Notebooks of a Cinema Maniac
From the diaries of a cinema maniac
Crickets
On the Holy Spirit
Yoko Ono Lennon's Courage Awards 2016: Laurie Anderson, Mohammad el Gharani, Eileen Boxer, RoseLee Goldberg, LoftOpera
Últimas correspondencias
My Bolexes
All About Bolex
A Report from Venice
Scenes from the Life of Raimund Abraham
My Birthday
Destruction of the Berlin Wall
Halloween 1990
A Cardinal
Flowers
The Sixties Quartet
I Leave Chelsea Hotel
Out-Takes from the Life of a Happy Man
Reminiszenzen aus Deutschland
20 Little Films
Happy Easter Ride
Correspondencia Jonas Mekas - J.L. Guerin
Sleepless Nights Stories
First Class Flight
3.11 A Sense of Home Films
Mt. Ventoux
My Mars Bar Movie
Como intérprete
A Mixtape for Stom
Nam June Paik: Moon Is the Oldest TV
Cine, registro vivo de nuestra memoria
Notes for a Déjà vu
眩暈 Vertigo
Jono Meko antologija
Jonas Mekas: Fragmentos del Paraiso
Please Leave a Message: Anthology Film Archives Voicemails Through the Ages
The Velvet Underground
Sugrįžę iš Niujorko
The Invisible Father
11S: El día que cambió el mundo
Tapes
Tiny Tim: Rey por un día
Last Interview Film of Jonas Mekas/version 1
Cinema and Sanctuary
Keep singing: a tribute to Jonas Mekas
Makeshift (for Mekas)
Gena Rowlands — Unabhängig im Kino und im Leben
Self Discovery for Social Survival
Sebastian and Jonas Leaving the Party
3 Friends Singing (...in the Desert)
Jonas Towards Broadway
Elegy for J.M.
George
Barbara Rubin and the Exploding NY Underground
Nitsch
Beyond the Bolex
I Don't Know Which Tree It Comes From that Fragrance
On the Holy Spirit