A Trip to the Moon
Cinema's first great science-fiction tale: Georges Méliès's capsule lodging in the eye of the Moon.
Public-domain and freely licensed films you can watch right here, hosted on the Internet Archive. Free cinema, no walls.
Cinema's first great science-fiction tale: Georges Méliès's capsule lodging in the eye of the Moon.
Edwin S. Porter's founding Western, a pioneer of narrative editing and the famous shot straight at the camera.
A Jules Verne adaptation featuring some of the earliest large-scale underwater photography in cinema.
D. W. Griffith's monumental fresco: four interwoven eras on human intolerance.
An intimate Griffith melodrama of visual delicacy that anticipates chamber cinema.
The manifesto of German Expressionism: warped sets and painted shadows for a nightmare with no center.
Douglas Fairbanks founds the swashbuckler with his acrobatic, mocking Zorro.
Benjamin Christensen's documentary-essay on witchcraft, poised between treatise and hallucination.
Murnau's symphony of horror: Count Orlok and his shadow remain cinema's defining image of the vampire.
Buster Keaton literally steps into the screen: a peak of slapstick and self-reflexive cinema.
Eisenstein's montage of attractions and the Odessa Steps sequence: a living lesson in cinema.
Willis O'Brien's animated dinosaurs, the direct ancestor of King Kong.
Lon Chaney and his unmasking: Hollywood gothic horror at its purest.
The first feature-length zombie film, with Bela Lugosi as master of a sugar mill of the undead.
Screwball comedy at top speed: Hawks and a relentless duel of overlapping dialogue.
B-movie film noir turned myth: fatalism, the open road, and a destiny that snaps shut like a trap.
Fritz Lang and Edward G. Robinson in a bitter noir of desire, painting and damnation.
Orson Welles directs and stars in the hunt for a Nazi criminal hiding in a Connecticut town.
A semi-documentary noir with dazzling John Alton photography that inspired the series Dragnet.
A poisoned man investigates his own murder before he dies: noir as a countdown.
Ida Lupino, the only woman to direct a classic studio noir: dry tension out in the desert.
The horror comedy Corman shot in two days: a carnivorous plant with appetite and a sense of humor.
An independent nightmare of hypnotic atmosphere that influenced all later horror cinema.
Coppola’s first film, shot in Ireland for Roger Corman in nine days: a castle, an inheritance and an axe murderer. With Spanish subtitles.
Corman gothic with Boris Karloff and a very young Jack Nicholson in a fog-bound castle.
Vincent Price alone in a city of vampires: the first adaptation of “I Am Legend”, and the one Romero admitted to copying.
Shot by an El Paso fertiliser salesman on a bet. A perennial candidate for worst film ever made and, for that very reason, a cult object.
The film that invented the modern zombie is in the public domain thanks to a mistake in the copyright notice. With Spanish subtitles.
A Finnish parody of Star Trek and Babylon 5, made in a flat over seven years and released under Creative Commons: millions of downloads.
Blender’s first open movie: two characters explore an infinite machine. Released together with all its production files.
An animated fable from the Blender Foundation: a good-natured rabbit takes revenge on three bullying rodents. Open cinema made with free software.
A documentary on remix culture and copyright, with Girl Talk and Lawrence Lessig. Spanish-language version, remixable by licence.
Nina Paley interweaves the Ramayana with 1920s jazz songs in a freewheeling animation she released into the public domain.
A fantasy short from the Blender Foundation: a young woman searches for the dragon she raised, a brief epic of open animation.
The first TVE documentary released under Creative Commons: a year following the intellectual property debate in Spain.
Zombies at CERN: shot in the tunnels of the Large Hadron Collider by physics PhD students, without official permission and under a free licence.
Science fiction with visual effects from the Blender Foundation: a robot-ravaged Amsterdam, shot to test open-source VFX.
The three founders of The Pirate Bay, from the website to the dock. It premiered at the Berlinale and on BitTorrent on the same day.
The life of Aaron Swartz, programmer and open-access activist, prosecuted for downloading academic papers. Released under Creative Commons by its makers.
The Blender Foundation's opening chapter: a suicidal sheep and a cosmic salesman offer alternate lives. Free, surreal animation.
Koro, Blender’s Patagonian llama, fights a penguin over the last berry of winter. A three-minute silent comedy.
A shepherdess and her dog wake up spring in the mountains. Blender Studio, inspired by the director’s childhood in Germany.
An eighties-style forest slasher, with sprites: a group of British teenagers should not have stepped on those mushrooms. Blender Studio.
An energy-starved dystopia: an old man breaks into a battery factory. Four minutes from Blender Studio, with all files open.