- Lugar
Michel Auder
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Como dirección
High Life
Fictional Art Film
Gulf War TV War
The Course of Empire
Phone content HQ6s02 BERLIN CAMERAROLL
1967
Daytime Version of the Night
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Endless Column
Narcolepsy
Shoppingheads
Confession
Blind Sex
Heads in Love
Alice Neel Paints Margaret
Chelsea, Manhattan - NYC
The Feature
It's Hard to Be Down When You're Up
Apocalypse Later - Hudson
Bitte Danke
Polaroid Cocaine
My Last Bag of Heroin (For Real)
Voyage to the Center of the Phone Lines
Roman Variations
Magnetic Notes, 1986-1987
Brooding Angels
Chasing the Dragon
Coupla White Faggots Sitting Around Talking
Talking Head
48 Hours in 8 Minutes
